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V International Congress Synesthesia, Science & Art. 16th- 19th may 2015

INICIOHome/inicio | News | Colaboradores | The Congress | Muvi4 | Programme | contact. Sedes: /Capuchinos / Teatro/ Palacio Abacial /Fortaleza de la Mota

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updated december 30, 2014

 

Long Presentations

Sean A Day, PhD.Principal lecturer. “Less common forms of synesthesia”.

President, American Synesthesia Association. Department of English & Journalism, TridentTechnical College, Charleston, South Carolina, US

It is estimated that there are at least 60 types of synesthesia; most likely there are far many more. However, of this multitude of types, only about six types gain the focus of almost all research: grapheme-based synesthesia; phoneme to color synesthesia; synesthesia induced by time units; lexico-gustemic synesthesia; general sound-to-color synesthesia; and musical tone to color synesthesia. This, in part, is justified by the rarity of most other types of synesthesia – it has been difficult in the paso colors” (i.e., “auras”), to name but a few. Views of these other types will come, in part, from correspondences to the Synesthesia List over the past 20 years, along with more recent postings to FaceBook groups and other on-line communities. One of our goals is to question and examine what the full range of synesthesiae might be. Another goal is to discuss how we might now be able to gain some of these rare, more diverse synesthetes as research participants, such as expanding on-line communities.

Edward M. Hubbard, PhD. "Synesthesia, Development and Learning".   Assistant Professor. University of Wisconsin-Madison.

Educational Psychology to find sufficient numbers of research subjects. Yet, this limited focus on only certain types of synesthesia has led many researchers to (sometimes drastic) over-generalizations, and perhaps misconceptions, about what synesthesia is, how it works, what it is like to experience it, and its causation(s). Here, we look at many of the other types of synesthesia, exploring what new insights might be gained, and considering new lines of questions and experiments. This would include such types as “flavors to musical chords”, “emotions to flavors”, “kinetics to sounds”, and “personalities

Dina Riccò. Ph.D. "SYNESTHETIC FOOD. Tools for the design of audiovisual artefacts".

 Anton V.Sidoroff-Dorso, "Synaesthesia Quotient Inventory: practical outcomes and critique-based refinement".

Emilio Gómez Milán & Oscar Iborra . Synesthesia and temperature as inductor and concurrent: a study with thermography.

Joerg Jewanski, Sean Day, Julia Simner, Jamie Ward and Nicolas Rothen. "Back to the roots. The first congress, where synesthesia was discussed: Paris 1889".

Noam Sagiv, Monika Sobczak-Edmans and Adrian Williams .Synaesthesia and the self. Department of Psychology, Brunel University, London, UK.

Rustem Sakhabiev and Joerg Jewanski. The Prometheus-Institute at the University in Kazan, Russia. Research on Synesthesia in Science, Music and Art since 1962.

Helena Melero. Neurociencias. Synesthesia, dance and neuroscience: colors elicited by complex inducers.

Jasmin Sinha. "Synaesthesia in Disguise - when synaesthetic perceptions are REALLY hidden". University of Luxembourg.

Ninghui Xiong, Tongjun Ding, Rui Ren and Long Long. Brief Review – Synaesthesia in Chinese Music and Art History.

Oscar Iborra & Emilio Gómez. "Expanding kiki/bouba experimental paradigm to other cases of ideaesthesia".

Sérgio Basbaum. SYN-AESTHETICS AND JORGE ANTUNES' CHROMOPHONIC WORKS.

Dra. Mª José de Córdoba Serrano." Percentage of population who have synesthesia color/voice/texture, in Spanish-speaking countries".

Ninghui Xiong, Rui Ren, Tongjun Ding and Xing Zhang. "Synaesthesia of Synthetic Senses and its role in art development"

 

Dr. Michael Haverkamp. "Can synesthetic perception help to define an attractive product design?".

 

José Antonio Fernández. "INTEGRAFIA-TEORIA GENERAL DEL GRAFISMO-META DIDACTICA ( charla y propuesta de taller SIGCA)".

 

Alexandra kirschner. - "Synaesthesia and visual imagery in children. Synaesthesia as a method in vocal education".

 

Victor Parra, Wilmer Chávez. ( UPEL, UCLA)."La Sinestesia, Nuevos horizontes Creativos, Nuevas perspectivas socioculturales".

Wilton Azevedo. CREATIVE STRATEGIES OF XXth CENTURY MUSICAL AVANT-GARDE AND THE SYNESTHETIC WORKS OF PANTHAREI.

Dr. Timothy Layden, Christine Soffing and Klaus Schmidtke. " Comparing the Shape of Sounds".

 

Lidell Simpson. "The White Noise of Synesthesia".

Luis Casablanca and Pedro Chacón Gordillo. MODA COLOR IDEASTESIA- SINESTESIA. Los caminos del color en la moda.

(UNTIL 1TH DICEMBER):

TRADITION AND ORIGINALITY: FROM TOPIC TO SYNAESTHETIC METAPHOR IN WILLIAM SHAKESPEARE'S 'ROMEO AND JULIET' . ANTONIA VÍÑEZ SÁNCHEZ  ; INMACULADA C. VÍÑEZ DAZA  , CADIZ UNIVERSITY

  Musical-space synesthesia: Image processing and space/time organisation of musical texture. Svetlana Rudenko. Royal Irish Academy of Music. Ireland

  The Program "Image-color Perception of Music" in the Subject "Hearing of Music" at School of Arts for Children. Olga Tiazheva. Russian Federation. School of Art for Children

Sinestesia, transmodalidad y discriminación sensorial - José María Colmenero (1), Emilio Gómez Milán (2) y María Ángeles Rodríguez Artacho (2) . Universidad de Jaén(1), Universidad de Granada (2)

Tastes of London ,   James Wannerton. UK Synaesthesia Association

Synesthesia in the philosophical works of Helmuth Plessner - And what we can learn from his approach today . Michael Funk. TU Dresden Institut für Philosophie Dresden D-01062 Germany

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